Ebook The First Five Pages, by Noah Lukeman
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The First Five Pages, by Noah Lukeman
Ebook The First Five Pages, by Noah Lukeman
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Pressestimmen
Novice and amateur writers alike will benefit from literary agent Lukeman's lucid advice in this handy, inexpensive little book. Carrying the craft of writing beyong Strunk and White's classic Elements of Style, this book should find a wide audience. . . . Writers' groups and workshops will want multiple copies. * Library Journal * Tricks of the trade add to The First Five Pages' value, as do tips on grammar, style, voice and dialogue, and writing exercises. . . . A bargain when you consider all the information packed into [it]. * San Antonio Express-News * Mr. Lukeman has written a definitive handbook on the pitfalls to avoid in your work. . . . I highly recommend The First Five Pages to anyone who is serious about their writing. * PlanetShowbiz.com * Review from previous edition Intelligent, important, valuable, and entertaining instructions. . . . It should be read by all novice writers - and by those whose books are already published but intend to write more. * Richard Marek, former editorial director of Kirkus Reviews *
Produktinformation
Taschenbuch: 202 Seiten
Verlag: Oxford University Press (11. Februar 2010)
Sprache: Englisch
ISBN-10: 0199575282
ISBN-13: 978-0199575282
Größe und/oder Gewicht:
12,8 x 1,2 x 19,4 cm
Durchschnittliche Kundenbewertung:
3.5 von 5 Sternen
12 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 35.059 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Most books about writing tell us what to do. This book, however, takes the opposite approach and tells us what not to do. As an editor, Noah Lukeman shows writers why their manuscripts are rejected by both agents and publishers time and time again. After defining the problem spots, the author gives us examples and then follows with exercises to help correct the problem. The only criticism I have of the book lies with the examples. They are truly dreadful. I'm sure the author made them up to illustrate his point, but I, myself, would have found examples more helpful had they been drawn from actual books. This book, however, is very useful, both for the beginner and the more advanced writer and will go a long way toward keeping you out of the rejection pile.
This book: creates a powerful image of overworked publishers being inundated with manuscripts suffering from similar faults; documents those faults; and gives general pointers on how to get published.Three (basic) exercise-packed sections cover:* Preliminary problems-- presentation, adjectives & adverbs, sound, comparison, and style.* Dialogue-- between the lines, commonplace, informative, melodramatic, and hard to follow.* The bigger picture-- showing versus telling, viewpoint and narration, characterization, hooks, subtlety, tone, focus, setting, and pacing & progression.The book could be improved through: addition on an overview of the publishing market and publishers (statistics for different genres & countries); use of fewer words for content; better use of sidebars & summaries to be able to "use" book more effectively; explicitly wider focus beyond fiction & novels; and discussion of "content"- the value add for the reader.Overall a worthwhile read, but consider "Writing a Novel - and getting published" (Teach Yourself) by Nigel Watts first- it covers similar content concisely, plus adds much more in an easier to read format.
Although the book is designed to help fiction writers get published, its appeal is far broader than that. Lukeman has many examples of bad writing that are laugh out loud funny. These examples by exagerating the particular fault, make his points very well, whether setting, pace or excessive use of adjectives. (Lukeman also warns us that these are not the worst examples.) I came away from the book with a far greater appreciation of how well the books I read are written and edited and the tremendous amount of work and skill required to write a book. I would recommend this book to both aspiring writers and avid readers.
Noah Lukeman's portrayal of overworked editors looking for just one reason to shoot your beloved work into the rejection pile is a sharp bite of reality that some writers won't want to feel. Like it or not, Lukeman is bluntly asserting that most writers are rejected by agents and publishers because they simply can't pass first muster-and that the margin for failure is very narrow. Lukeman's book is a gutsy reminder that success as a writer is hard won and that writing is a craft like any other and must be learned-the hard way. If (in terms of numbers alone) the odds are stacked against you each time an editor or agent opens your work - then all the more reason you should be as good a writer as you can. The critical, probing exercises found at the end of each chapter are likely to be valuable to writers not only because of the very practical way in which they are presented, but because they also have the virtue of supporting Lukeman's central conviction that writers can train their minds towards critical thought-and through critical thought comes better writing. New writers will pore over his exercises in detail, while more skilled writers will use them to throw new light on specific problem areas. The glimpses Lukeman offers into the pent-up pressure within agent and editors offices, and the "read to reject" rule that prevails throughout the publishing industry also represent valuable insights into the context in which each writer's work is reviewed. And his frank assessment of some writers' abilities is obviously the result of having been on the receiving end of a lot of poor writing in his time. But while he is sometimes impatient towards writers Lukeman is never scathing, presumably because he seems genuinely to believe that anyone can train her/himself to be a better writer. For this reason, although his stated objective is to help writers avoid the mistakes that will send them to the rejection pile, Lukeman is in fact offering a much larger opportunity to any writer who wants to seize it. He is offering tools to help train self-critical thought in the minds of those whose solitary activity can so easily steer them towards self-indulgence and uncritical acceptance of their work. It's an excellent book and at such a reasonable price it's also a great investment.
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